I have been following Syd Lawrence and His Orchestra since the early 1970s, when I read about them in a Glenn Miller fan magazine published in the United Kingdom. I bought most of my LPs in those days from Rose Records' large, five-level store on Wabash Avenue in downtown Chicago. When I asked Jim Rose about carrying some Syd Lawrence albums, he checked.

"The problem is with their label, Philips," Jim said. "We're having trouble getting any albums from Philips." Jim suggested I order the Lawrence albums from Henry Stave Records in London, a store as large as Rose Records. He gave me their phone number and address.

Early the next morning, I placed my first transatlantic phone call. The woman who answered the phone at Henry Stave sounded like she was in another room in my apartment. "Oh, Syd Lawrence! What a fabulous band! We have all of his albums, about a dozen."

As I listened to her beautiful, sexy British accent, I wished she were with me in my apartment!

I ordered every one (thanks to a favorable exchange rate and her accent!). Now, some 35 years later, those Lawrence albums are among the most cherished in my record collection. My LP's and CD's by the Lawrence band, including the recent CD's by Chris Dean and The Fabulous Syd Lawrence Orchestra, are just as precious to me.

Whether they are playing music in the Miller mood, arrangements of other big band hits, or songs arranged specifically for their orchestra, this is not only "the best big band in the land," as their announcer likes to say, but one of the best big bands in the world.

During the eight years Tuxedo Junction has been online, many visitors from the United Kingdom and elsewhere have asked for more music by Syd Lawrence. I hope this web page makes them happy!

George Spink
Los Angeles
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The following history of The Syd Lawrence Orchestra is from the band's official web site.

Founded in 1967 by trumpeter and arranger Syd Lawrence, The fabulous SYD LAWRENCE ORCHESTRA has been thrilling audiences in Concert Halls, Theatres, TV Shows and Music Festivals all over Great Britain and Continental Europe for over 40 years. Renowned for it’s exciting blend of high octane Big Band Swing and Classic Dance Music, the Orchestra’s repertoire ranges from the wartime million sellers of the legendary Glenn Miller through the era of the great Count Basie Orchestra to the hit songs of Frank Sinatra and Ella Fitzgerald. Count Basie himself described the Syd Lawrence Orchestra as “So good it should be BANNED!” and it has recently been voted “Best Big Band in the Land” for the eighth consecutive year.

The Orchestra, directed since Syd’s retirement in 1996 by Chris Dean, has a repertoire of over 1,200 classic Big Band titles including Glenn Miller´s “Moonlight Serenade” and “In the Mood”, Tommy Dorsey´s “I’m Getting Sentimental Over You” and “Opus One”, Benny Goodman´s “Sing, Sing, Sing”, Artie Shaw´s “Begin The Beguine”, Woody Herman’s “Blues on Parade”, Ray Anthony’s “Mr Anthony’s Boogie” , Duke Ellington’s “Satin Doll”, Bert Ambrose’s “Night Ride”, Count Basie´s “April in Paris” and “Splanky”, Charlie Barnet´s “Skyliner”, Stan Kenton´s “Peanut Vendor”, the “Trumpet Blues” of Harry James, “I’ve Got My Love To Keep Me Warm” of Les Brown, the hits of Billy May and Ted Heath’s “Hot Toddy”.

Hits from the Great American Songbooks of George Gershwin, Jerome Kern, Harold Arlen, Hoagy Carmichael, Irving Berlin and singers Frank Sinatra, Nat ‘King’ Cole, Sammy Davis Jr, Bing Crosby, Tony Bennett, Matt Monro, Ella Fitzgerald, Peggy Lee, Barbara Streisand etc are also featured in the programme.

Chris Dean believes in leading the Orchestra with pace and good humour, performing the classics of the swing era in a way that entertains the audience. “The music is what people want to hear” says Chris, “information they can get in books, they come to a concert to be entertained, not to hear a lecture”.

Chris’s aim has been to increase the number of young musicians playing Big Band Swing. Recent changes in personnel of the Orchestra have proved the worth of this ambition. The “new blood” of some of today’s finest young jazz musicians has brought a new fire and drive to the Orchestra’s performances which has been reflected in rave reviews and numerous Sold Out concerts.

In Concert in addition to roaring Big Band numbers and Suites and Overtures no longer performed by any other orchestra, there are vocals from Bandleader Chris Dean and Star guest vocalists Eleanor Keenan or Angie Mills. Also featured within the show is the wonderful close harmony singing of The Serenaders recreating the sound of vocal groups such as The Modernaires, The Pied Pipers and The Sentimentalists. A further attraction is the “Band within a Band” showcasing the jazz talents of soloists within the orchestra and adding yet another dimension to the performances. All concerts have to have a “big finish” and the Syd Lawrence Orchestra is no exception invariably finishing in traditional big band style with a spectacular Solo from star Drummer Mike Smith.

When playing for Dances the orchestra’s huge repertoire really comes into it’s own. The music of the Big Bands was originally written as dance music and its life and soul stems from its origin in dance. The Syd Lawrence Orchestra playing for dancing revives the romance, style and poetry of a bygone era, returning these beautifully constructed tunes to their original purpose.

All these elements combine to make the Syd Lawrence Orchestra the most enduringly popular Big Band in Britain today.