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Spike Jones: "And the Winner Is ... Feedlebomb!"- by George Spink
Spike Jones and His City Slickers
Spike Jones (third from left) and His City Slickers
Spike Jones (third from left) and His City Slickers

During the 1940's and into the 1950's, Spike Jones led a band of first-rate musicians, dressed them in brightly colored suits with large plaid squares or stripes, gave them derbies and other hats, and had them play some of the funniest music ever recorded or broadcast. Everyone loved them!

 

Normally romantic ballads and classical works were skewered with cowbells, gunshots, whistles, and hysterically funny vocals.

 

According to Wikipedia, "The very name of Spike Jones became synonymous with crazy music. While he enjoyed the fame and prosperity, he was annoyed that nobody seemed to see beyond the craziness. Determined to show the world that he was capable of producing legitimate, "pretty" music, he formed a second group in 1946. Spike Jones and His Other Orchestra played lush arrangements of dance hits. This alternate group played nightclub engagements and was an artistic success, but the paying public preferred the City Slickers and stayed away.

"The one outstanding recording by the Other Orchestra is "Laura," which features a serious first half (played exquisitely by the serious group), and a manic second half (played hilariously by the City Slickers)."

You can hear "Laura" and about a dozen other Spike Jones classics in the media player embedded near the top of this page.

Spike Jones and His City Slickers always cracked us up! Six decades later, they still crack me up!

 

In 1946, my parents bought our first car -- a black, 1929 four-door Essex sedan. What should we call it? I suggested 'Feedlebomb' after the Spike Jones song. The name stuck. Here she is on a snowy winter morning outside our Berwyn home.A Personal Note: As a small boy in the early 1940's, my favorite song was Spike Jones' recording of the "William Tell Overture," which everyone called "Feedlebomb," the name of one of the horses in the song. To this day, some 60 years later, "Feedlebomb" never fails to bring a smile to my face and makes me laugh! It is classic Spike Jones.

 

In 1946, my parents bought our first car -- a black, 1929 four-door Essex sedan. What should we call it? I suggested "Feedlebomb" after the Spike Jones song. The name stuck. Here's Feedlebomb on a snowy winter morning outside our Berwyn home.

 

I loved listening to Spike Jones on the radio. In those days before television, families finished dinner, washed the dishes, and then went into the living room (or front room, as we called ours in Chicago). Each of us had our favorite chair or seat on the sofa.

 

Aunt Ruth's RCA Victor radio/phonograph console was in one corner of our front room. My dad sat opposite the radio on his easy chair. I sat on the end of the sofa near my father. My mother sat next to me and Aunt Dorothy sat next to her. Aunt Ruth sat in an easy chair across from my father. We always sat in the same place.

 

We listened to the radio every night beginning at 7 PM Central Time. I listened from 6:30 on so I could hear my favorite show, "The Lone Ranger," which incidentally used the "The William Tell Overture" for its theme. Wouldn't it have been funny if they had used Spike Jones' "Feedlebomb" instead one night!

 

Network shows began at 7 PM in Chicago and 8PM in New York City. We listened to the same shows week after week. "Gangbusters," "Jack Benny," "Burns and Allen," "Milton Berle," "Amos n'Andy," and "Inner Sanctum" were among our favorites. On Saturday nights, we always listened to "Your Hit Parade." Everyone loved that show!

 

My mother, Aunt Dorothy, and I listened to "Don McNeill and His Breakdast Club," which came on the air at 8 AM. My dad and Aunt Ruth left for work around 7:30 AM. The "Breakfast Club" was radio's longest running network entertainment show, debuting on June 23, 1933 and leaving the air on December 27, 1968. During its first decade, the "Breakdast Club" was carried by the NBC Blue Network and thereafter on ABC, the successor to the NBC Blue. In the late 1940's. Johnny Desmond became a regular on the "Breakfast Club." He sometimes reminisced about his years during World War Two singing with Glenn Miller's terrific Army Air Force Band.

 

Usually, I went to bed about nine o'clock in those days. After the 15-minute 10 PM newscasts, big band remotes began from ballrooms and night clubs across the land. Every night! Sometimes I listened to them on headphones connected to the used Hallicrafter shortwave radio on the nightstand next to my bed. My dad bought me the Hallicrafter from a neaby Army Surplus store. Wish I had it today!

George Spink
Los Angeles
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Spike Jones even appeared in Dick Tracy on Sept. 14, 1949!
Spike Jones even appeared
in Dick Tracy on Sept. 14, 1949.
"Cocktails for Two" by Spike Jones and His City Slickers
Source: You Tube
 
"Der Fuhrer's Face" by Spike Jones and His City Slickers
Source: You Tube
 
"William Tell Overture" by Spike Jones and His City Slickers
Source: You Tube
   
 
© George Spink, Los Angeles, California, United States of America (2008-2009)