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Remembering Glenn Miller by Jack Fortes
 
"Moonlight Serenade/I Know Why"
Glenn Miller and his Orchestra with Pat Friday and John Payne from "Sun Valley Serenade" (1941)
Glenn Miller
Glenn Miller

Music has its Blue Grass and Bop, Country and Western and Classical, Jazz and Jumpin’ Jive. But as we seniors, born in the early twenties, like to do, focus on this genre: Big Band. Then focus some more on one of the greats of that era: Glenn Miller.

Ah, put “Glenn Miller Orchestra” and “Moonlight Serenade” together and you have the most wonderful combination in the history of modern music.Other musical organizations and their theme songs were popular in the big band era—roughly 1935-1946—and these included Tommy Dorsey and “I’m Getting Sentimental Over You;” Benny Goodman and “Let’s Dance;” and Count Basie and “One O’Clock Jump.”

Not only did Glenn Miller, in his brief career before his World War II disappearance, have a big hit with “Moonlight Serenade,” his signature song, but he’s also in the musical history books with “In The Mood,” “Chattanooga Choo Choo,” “A String of Pearls,” Pennsylvania 6-5000,” “Tuxedo Junction,” and many other tunes.

One writer said, “Back in the days of the big band era of the forties, any dance band ‘worth its salt’ had a distinctive theme song. It was the musical signature with which they signed on and signed off at their engagements and radio broadcasts.

The Miller theme, of course, was ‘Moonlight Serenade.’” The writer goes on to point out that Miller originally wrote the music of the song himself as an exercise in arranging. “He composed it long before he organized his band, when he was a trombonist and arranger with the Ray Noble Orchestra.”

Another writer said, “Of all the outstanding dance bands, the one that evokes the most memories and how wonderfully romantic it all was, the one whose music people want to hear over and over again, is the band of the late Glenn Miller.”

Finally, this tribute: “Today, the ‘Miller sound’ is considered a standard in the field of popular music, with its popularity continuing undiminished through the years.”Alton Glen (later changed to “Glenn”) Miller was born in 1904 in Clarinda, Iowa. Before starting his own band in the late thirties, he played with and arranged for Ben Pollack, Red Nichols, the Dorsey brothers, and others, including Noble.

In 1942, at the age of 38, he entered the Army Air Corps, forming a band composed of top big band instrumentalists, who, like Glenn had “joined up.” They played in many European areas, entertaining the troops with the music soldiers were familiar with before the war.

Major Glenn Miller set out from England in a small plane on December 15, 1944, flying over the English Channel to set up arrangements for the band’s arrival in Paris a few days later.The plane took off on a foggy afternoon, and neither it nor any of its three occupants were ever heard from again.

Glenn Miller’s music lives today. It’s heard on the airways, in live concerts, and in the dance halls—the few that still remain. ANY band “worth its salt” plays Glenn Miller’s music. It’s romantic and forever memorable.

Jack Fortes
DeLand, Florida
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Moderator's Note: Jack Fortes has been visiting my web sites and blogs for some time. Now some 80 years young, Jack emailed me recently about what he is doing to share his love of big band music with his friends and neighbors in DeLand, Florida. I think you will like Jack's article about Glenn Miller, which originally appeared in the June 2005 issue of Pete King's Big Band Buddies Magazine. Visit Pete's Big Band Buddies web site to learn how you can subscribe to it.

George Spink
Los Angeles
Webmaster - Tuxedo Junction
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© George Spink, Los Angeles, California, United States of America (2008-2009)